Film Noir Friday – Woman in the Window

TCM’s Noir Alley is screening the early noir Woman in the Window this weekend. It is well worth your time if you have any interest at all in these films.  It is esteemed noir director Fritz Lang’s (Scarlet Street, The Big Heat) first American film noir. Filmed during noir’s infancy in the US, it almost establishes the template for the genre along with Double Indemnity. Doomed protagonist who can’t seem to right the ship, and things just keep getting worse…mostly because of a seductive woman who suck him into her dangerous web (Femme Fatale). Crime. Chiaroscuro cinematography. Etc.

It also includes three stars of the genre at the top of the billing in the always excellent Edward G. Robinson, Joan Bennet as the Femme, and Dan Duryea.  The three of them would gather with Lang again a year later to film Scarlet Street, Lang’s masterpiece. When I first started exploring these films, I watched Scarlet first, and I almost wish that wasn’t the case. The two films are almost the same story (different characters, same archetypes). In the case of Woman in the Window, Lang chose to change the ending of the original script for fear of drawing the ire of the production code of the time. In my opinion, the ending is Woman’s only flaw.  I don’t know if Scarlet Street had a similar changed ending in its history, but the one it ended up with was significantly more powerful than Woman’s. It was almost as if Fritzie took a mulligan.

If I could go back, I would watch Woman first, wait a week, and watch Scarlet. Less of a letdown for Woman, and fascinating to see how the story evolved. And that is what I’m recommending now, if you haven’t seen these films. If you like film noir (or just old movies), you should see both of them.

Why I went “Wide”

Please do not take any of this as advice. NO ONE should take advice from an independent publisher with one book out.  I am mostly writing this to record my thoughts, like a diary, so I’m able to look back on the decision.

Outside of the decision to indie publish in the first place, I sweated nothing as much as the decision of going “wide” vs. exclusive with Amazon.  Much of the Indie Publishing community is persuasive on the idea of Amazon exclusivity, especially for first time publishers. The argument goes something like this:

  • Kindle Unlimited (KU) allows for royalties on page reads. Patrons already in the KU program can download and read the book at no extra cost, and the publisher/author earns something like half a cent per read.
  • Page reads can provide royalties in place of sales which are hard to come by for authors with no back list.
  • KU is free visibility/discoverability, which is important for a new publisher
  • Exclusivity allows periods of free and reduced-price promotion each 90 day period.
  • The mysterious Amazon algorithms show more love to exclusive writers/publishers
  • Amazon accounts for 80% of e-book sales in the US. Distribution. Publishing through other sources is diminishing returns.
  • Probably a dozen other compelling reasons, including that many of the successful indie publishing authors are exclusive with Amazon. (Possibly most, I have no idea. I know all the successful “rock-star” indies I’m aware of are exclusive).

So why wide?

I make decisions based on how I see things as a consumer, so –

  • I want as few obstacles for a customer as possible (i.e. I want my e-books available for use on as many devices as possible, I want my paperbacks available in as many venues as I can manage…including libraries)
  • When I download a “free” book (like KU), I seldom read it. It somehow devalues the book to me.
  • I don’t like the idea of exclusivity in general. It feels like a sell-out. I have zero problems with Amazon. I use them all the time. But as a consumer, I want options of where to spend my money.
  • Amazon is huge in the US. The world is a big place.
  • Return to the first bullet, I’ve always hated being told that I can’t use a product. I don’t want to be this guy, “Sorry, my e-book can only be read on kindle or a kindle enabled-device.”

It’s possible I’ll never know whether the better business decision is exclusivity. I could test the waters, I suppose. But even that seems shortsighted, and for that period there’s a good chance I’d have to tell some prospective reader that my e-book is only available for Kindle.

Since I am wide, here’s a universal link where you can pick your poison…er retailer:  books2read.com/everythingisbroken

 

Chapter One – North Country Girl

Here in all of its un-edited glory is the first chapter of my second novel in the Fuzzy Koella series, North Country Girl.  (Warning: Some NSFW language below)

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Copyright 2018 Anthony DeCastro.  All Rights reserved.

Chapter One

The night after Christmas, I spent sitting in my truck in the parking lot of a barbecue joint across the street from a rundown convenience store called The Whiz. The night was pleasant. I had the window down to enjoy the crisp air and the lingering aroma of smoked meat and the chatter of middle America visiting The Whiz for their post-holiday beer, junk food, and lottery tickets.  I hated stakeouts, but the stars in the skies, memories of gift giving with my girlfriend, and the fading pain from my last bullet wound kept this old bear in the yuletide spirit.

Old bear.

That’s what Veronica called me.  Old bear.  I’d never asked her how old she was.  I was too smart for that.  I am a private investigator after all.  But she seemed only a couple years younger than me.  Yet, I was her old bear.

I was employed by an Indian-American entrepreneur named Hab Singh, who owned five other Whiz’s throughout the Strand. Someone had vandalized all his stores with anti-Muslim graffiti over the last couple of months.  Mr. Singh did not understand why, he, a Sikh, was being attacked with anti-Muslim hate.  I understood perfectly.

People were stupid.

I had staked out three different stores over the last week. No luck.  Fortunately, no other attacks had happened during that time. I planned this stakeout to be at the store less than a mile from my home the night after Christmas.

When the store lights shut off after midnight, I took more interest in observing the building. A few minutes later, the clerk appeared from around the back of the store in a twenty-year-old, gray Chevy Celebrity sedan.  He signaled right and turned onto Business Highway 17 towards Myrtle Beach.  The action died at the Whiz with his fading tail lights.

Two hours later, I spotted movement in the vegetation behind the store.  I pulled across the street with my headlights off and slid past the south side of the building.  As my truck nosed around the corner, the tires crunched on the remains of a broken beer bottle.

They crouched with spray cans poised at the back door.  Two of them. Dressed in black. Wearing ski masks.  They looked in my direction and sprung to their feet and sprinted to the safety of the woods.

I threw the gearshift into park, and jumped out of the truck.  I hit full speed within a few steps.  When I hit the woods, however, I faced the challenge of running in the dark through a path carved by people a lot shorter than six and a half feet.  I soldiered on.

Branches lashed out at my cheeks.  Sensing a disaster that could end up with me blinded, I held my right hand out in front of me to ward off the danger.  Within seconds, thorny brambles bloodied my hand.

I could not see my prey, but the trees were alive with their passing.  I continued in their direction.  Just as I felt the cold clench of exhausted lungs, the branches ahead went dormant.

I should have heeded that warning.

Ten steps later, a vandal clothes-lined me with a forearm across my throat.

I flew from my feet.  Time suspended.  I wind-milled my arms, as if I could somehow tread air.  I sank.  My back slammed against the leafy floor of the path.  My head followed and found a tree root.  What little breath I had left in my lungs, expelled in a blast of air.  I gasped trying to recover the lost oxygen.  No luck.  It felt like my lungs were clamped off.  No air could enter.  I rolled back and forth, gasping for air.

My attacker dropped beside me and sprayed paint into my face.  It stung, as it coated my eyes.  The world went black.

I kicked and swung my arms, like a kid in a tantrum.

His partner said from my left, “Dude, let’s bolt, now!”

“Shut up, Mason.  I think we got a fuckin’ rag-head lover, here.”

I kept kicking and swinging, but with him straddling my torso and me blinded, I made no contact.

I felt his weight lift from me momentarily, and one of his knees shifted up onto my right bicep.

As the weight of his knee settled down, I rolled enough to the right to lift my left hip off the ground.  I pulled my piece from the clip-on holster at my waist.  Blindly, I jabbed the revolver up into where I believed his midsection would be.

“Ugh,” he said.

From his groan, and the brush of his thigh on the back of my hand, I knew I had jammed my gun into his groin.  I pulled the hammer back with my thumb.  “Come out from the bushes.  Hands up and empty, or your friend spends his life as a Eunuch.”

“A what?”

“I will scatter his nuts all over the bushes here,” I said. “Now get out here with your hands up!”

“Jesus, Mason. Come out,” squealed the voice above me. “He’s got a gun.”

I heard bushes rustle over my left shoulder. Footsteps.

I ground the end of my gun against my attacker’s crotch. The steel sight at the end of the barrel caught in his denim covered scrotum.

He whimpered.

I pushed harder against him. “Stand up slowly.”

I kept continual pressure on his genitals as he crawled to his feet and I got to my knees. “Mason, I have the hammer pulled and my finger is on the trigger.  You try anything and your buddy here has made sweet love to his lady for the last time.”

“Mason, don’t fuck around,” his buddy said.  “This motherfucker is crazy.”

All the adrenaline had pushed air back into my lungs.  Now, I wanted to make these two suffer for the hate they’d unleashed on Mr. Singh and his employees.

But I was no vigilante.

I fished my phone out of my pocket and held it out to my left.  “Take that Mason.  Remember, no funny business.”

Mason’s hand closed around the phone and my fingers.

I rotated the barrel ninety degrees against his buddy’s crotch.

He breathed in harshly.

“Why the phone?” Mason asked.

“I want you to scroll through my contacts and find ‘Uncle Rod’.  Dial him up, and tell him you are with Fuzzy, and you want to turn yourself in.  I want you to tell him we are in the woods behind The Whiz in Murrell’s Inlet, down the road from Fuzzy’s place.”

He slid the phone free of my hand.  The only sound as he searched my phone was the heavy breathing of his friend above me, and the chirping of crickets.

“Found it.”

“Mason, Rod will have questions.  He always does.  Just put the phone to my ear when that happens.”

He must have reached Rod, because he said, “Ah, yeah is this Rod?”

“No funny business,” I reminded.

“So yeah, Rod. I’m here with Fuzzy.  And he wants us to turn ourselves in.” Mason paused. “Um, here let me let you talk to Fuzzy.”

Mason must have knelt beside me to put the phone at my ear because I felt his breath warm on the side of my face. It smelled like corn chips.

“Fuzzy, what are you up to now?” Rod asked.

My Uncle Rod was a detective with the Myrtle Beach Police Department. I gave it to him in as concise terms as possible.  When I got to the proceedings in the woods, I punctuated the action with little jabs to my spray painting buddy’s groin.  I explained, as best I could, where he could find us.  He said he would send cruisers over to retrieve us.

______

If you enjoyed it, I hope you’ll look for North Country Girl in December 2018.

If you’re interested in a similar peek at the first in the series, Everything is Broken, Amazon’s look inside feature is a good option:

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Everything is Broken is widely available digitally and in print. Including available by order at your friendly, local bookstore.

I Finished a Book Today

That’s right. I finished. A little over 80,000 words.

Last week I posted on the struggles of writer’s block. Those struggles were real on the day I posted. The days that followed, when I simply did not sit down? I cannot say. If I don’t put myself in the position to do the work, than I can’t claim writer’s block. But, I’m glad I took the days. I learned something about the process… and most importantly, those days kick started the healing process. It will be a long process, and we’ll never fully heal, but we will go on.

Sometime in November, I’ll look for an artist. I’ll get this book to my first reader, and I’ll find someone to copy-edit.  I will also post the opening chapter to my Facebook group (either before, after or during a cover reveal — see note about looking for an artist). For now, here are screenshots of the Title and Dedication pages…  Tomorrow, I start the next story.

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–TD

 

I’m Back

I crawled out of bed at 4 a.m. It took some time to get going, and once I did, it was like pulling teeth to get words on the page, but –

I wrote.

And I feel much better having done so, which bodes well for doing the same tomorrow. Here’s to the 599 words I managed this morning, and hopefully a good deal more tomorrow.

–TD

Film Noir Friday – Life

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Life has been dark enough the last week. So, no film noir watching or contemplation this week.

I will just note that Noir Alley on TCM is screening Follow Me Quietly. I’ve never seen it, and I won’t be watching it, but it looks like a B-film noir, and these are often very much worth checking out.  It’s pretty remarkable how much these films pack in a little over an hour and a Poverty Row budget. Check it out, and let me know what you think about it in the comments.

Writer’s Block

I’ve never believed in writer’s block. I always maintained that it was an excuse for not putting the butt in chair, and doing the work. That was until a few days ago, because when I sit down to write, the words aren’t coming.

I’m very close to finishing a book, and when I do it will be dedicated to my brother. But I don’t know when the words will come again. That’s frightening.

The last conversation I had with Dennis, he said he was struggling with finishing his works, too. I’m hoping we figure this out together.

God bless.

–TD

RIP Dennis DeCastro

My brother was the most talented person I’ve ever known. That’s not hyperbole or the exaggerated claims of a grieving big brother. It’s truth.

Maybe I’ve known a better painter. (Maybe not)

Maybe I’ve known a better musician.

Maybe I’ve known someone who could hit a baseball farther.

Maybe I’ve known a better skateboarder.

Maybe I’ve known a better break dancer.

The list goes on.

The point is, I’ve known no one that could take on all of those things and excel at all of them in ways that even the most jaded critic would acknowledge.

Anything he put his mind to he excelled at. I’m glad he never really took to golf.

Now, he is gone. And the world has lost his future creations. And I’ve lost my brother, whom I loved.

Film Noir Friday – Burt Lancaster

 

Burt Lancaster is my favorite Film Noir actor.

I’m not so sure it’s because I think he’s the best actor of the era. He’s not.

Rather, when I look at the Films Noirs that I love. The pictures that I can (and have) watch over and over again. Burt Lancaster shows up in those films more than any other actor. Off the top of my head, those Lancaster films are:

Brute Force

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An excellent prison break film by my favorite Noir director Jules Dassin.

Sweet Smell of Success

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An uncommon turn for Burt as the villain. He plays a newspaper columnist, evidently based on Walter Winchell. Tony Curtis stars opposite him as an ambitious press agent (Tom Cruise has said he based his Jerry Maguire performance on Curtis) in love with Lancaster’s sister. I’m not sure if the intention of the film was to expose something about the media or Winchell but this film is all about Lancaster, the overprotective brother, turning the screws on Curtis. Neither men are particularly worth rooting for, in my opinion. Yet somehow the film still works. It’s also noteworthy for its stunning 1950s New York cinematography.

The Killers

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The expanded take on Hemingway’s excellent short story. Lancaster’s “The Swede” only briefly appears in Hemingway’s story, but he’s what the entire story revolves around. In the hands of Robert Siodmak, that story evolves into one of the indisputable great Film Noir stories. Hemingway was so happy with Siodmak’s treatment that he reportedly hosted regular screenings of the film at his home. Considering how little of the film is actually based on Papa’s short, that seems pretty high praise. (Note: the opening scene of the film is almost verbatim Hemingway’s short.) Both the film and short story are worth seeking out.

Criss Cross

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My second favorite film noir. A heist film, which focuses on a single protagonist, is a bit of an outlier, and it is probably the reason I enjoy this flick over others such as The Killing, The Asphalt Jungle, and even Dassin’s Riffifi. The broken relationship of Steve (Lancaster) and Anna (Yvonne DeCarlo, Lily Munster at her hottest) smolders with longing. Dan Duryea does a fantastic Dan Duryea as gangster Slim Dundee. The film is book-ended with an iconic opening scene of DeCarlo’s plea to the camera/Steve (it’s been oft imitated but never topped) and a truly Noir ending.

We all have our favorites. Both in films and actors. Three of the four films above (the last three) would all fit in my Top 10 of Film Noir. If that doesn’t land Burt Lancaster in a mythical Film Noir Hall of Fame, I don’t know what will. After all, my opinion is King.

Moonlight Graham appoves!

— TD

Indie Crime Scene

Everything is Broken is featured on Indie Crime SceneIf you’re here, there’s a good chance you know all about the book, but give the site a look and discover some new Indie Crime publishers. (and if you haven’t searched “Look Insides” yet, there is an excerpt of Everything…)

While you’re at it also check out http://pegasus-pulp.com. Cora, who runs Indie Crime Scene, also writes pulp!

In other news, Everything is Broken, should be available in print from retailers besides Amazon now. So, you should be able to have your local bookseller order it, your library, and it should begin showing up in the online stores such as BarnesandNoble.com.

–TD