When I first attempted Nanowrimo more than fifteen years ago and by extension started down my fiction writing path in earnest, there was no feasible method for Indie publishing. There was the start-up publisher iUniverse (and probably some others), who I credit with bringing visibility to the idea of print-on-demand technology. Ebooks were these clunky, really irritating things that maybe you could read on your computer or some geeky device that cost several hundreds of dollars.
The idea of self-publishing was even more frowned upon than it is today, but more importantly there was very little chance of reaching any level of success through self/indie-publishing.
Back then you had one choice — traditional publishing. And traditional publishing like any dusty, backward looking business model came with its “always done this way” rules. Some of those were:
You must have an agent. The big Five do not take non-agented submission.
No simultaneous submissions, unless the publisher specifically allows it.
I’m not going to comment on the stupidity of that simultaneous submission rule, other than to say I never followed it. Because, fuck ’em. They wanted months on end to read the submission. Even when I was 32, I didn’t have the time for that bullshit.
The agented submission is another form of bullshit that lives on today. The agents have been and continue to be gatekeepers to gatekeepers (i.e. agents -> publisher -> reader). They (agent and traditional publishers) argue that it keeps low quality work off the market protecting the reading public. In those days, I remember thinking how the indie music scene took off by cutting out the big-time record labels. Publishing has followed suit despite the best attempts of the Big-Five and agents.
There was another aspect of this agented submission requirement that was none so savory (I suspect it continues). The scam agents. Writers, so concerned that no publisher would read their submission, became easy prey to agents who would charge the writer for agent services. Disgusting.
Alas, in today’s market, where writers have taken some initiative in the markets, a new type of gatekeeping has arrived. A new scam is breeding.
Today with the popularity of indie publishing, all of the ‘experts’ are warning of the lack of quality. The reader must be protected. NOW, every indie writer ‘must’ have their novel ‘professionally’ edited (editorial direction, developmental editing, copyediting, proofread), and they must hire a ‘professional’ book cover designer, and possibly ‘professional’ book formatting. Most of the individuals who have set-up shop in any of these cottage industries are ‘professional’ in the same way the women of the world’s oldest profession are. Which is to say, there are no professional requirements for any of these people to provide their services. Yet, nearly everyone in the industry, including fellow indie writers, claim all of it is necessary. I just received an email from Reedsy that suggests the average costs for just the minimum editing (see all that bullshit in the parenthesis above) is greater than $4000. Formatting approx. additional grand. Same for cover design. The cost of all of these ‘required’ quality assurances is the new gatekeeper! I don’t think I need to tell you what the scam is…
This is bullshit.
Do your best. With what you can afford. Do not be deterred by this bullshit. It is all capitalizing on writer/artist fear. If you can afford a copyeditor and you don’t have a free resource, by all means purchase the service (but research credentials). If you can afford a cover artist, and you can’t do a good job of it yourself, have at it (but check the portfolio). If you can afford a formatting help, keep that money in your pocket or give it to me.
Don’t let these costs keep the gate closed. Almost all of them can be minimized or eliminated with a little creativity. And some of it should not be used (book doctor, cough), period.
And by the way, call bullshit on all of the advice I just gave, because what do I know? But do think for yourself, because you are the only one that has your interests at heart.
Tony D. Writes Pulp Fiction 