You Must Write

You Must Write.  I know what you’re thinking. “No shit, Sherlock.”

Heinlein’s Business Rules for Writing are simple, effective, and difficult to follow. What could be simpler than a writer must write, though?

Well, let’s start with what’s not writing:

  • Jotting down ideas in your notebook
  • Brainstorming
  • Journal-ing
  • Character sketches
  • Outlining
  • Research
  • Editing
  • Rewriting

I can almost hear the protests. Couple of things:

  • If your writing is completely a hobby. Heinlein’s rules do not apply. There is nothing wrong with this, and I hope your writing brings you a lifetime of enjoyment. I mean that. (And that goes for myself. There’s nothing wrong with saying “screw this,” I’m going to write only for myself.)
  • If you hope to sell your fiction writing, then NONE of the above bullet items are salable (until you sell like Stephen King, and even then, the market will be weak). Story sells. Nothing about Heinlein’s rules limits you from doing any of the above things (except the last bullet), but if you are doing any of them at the exclusion of writing new fiction. Then, you are not writing.

To be a commercial fiction writer You Must Write. Do all those items above (even that gnarly last one), if you must, but do them in addition to writing new fiction, not in lieu of. It is far too easy to let that laundry list of writerly (yes, I made up that word) things consume your writing time, such that you look back at your week, month, or year and you realize that you have very little actual story to show for your efforts.

This is a mindset change. It is more difficult than it seems. Many would-be writers will never make it past Rule One, simply because they talk about writing but never actually get around to sitting the butt in the chair. If you manage butt in chair, then you must fight the fairy tale that all that other stuff I’ve listed above is writing. If writing new story isn’t at least 50% of your process (I shiver to think of a process where writing is even that low), then ask yourself why, and remember…

You Must Write.

*The above are simply my thoughts on this “rule.” If it isn’t clear, the “you” is as much me, as anyone else. I have struggled with motivation since October 19th. This rule keeps me leaning forward.

–TD

pile of five books
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What I’m Reading – More Conan

The Tower of the Elephant

This…

This is good. The Tower of the Elephant is a Robert E. Howard penned short story originally published in Weird Tales in March, 1933. In this one, Conan travels to the City of Thieves (if you look closely you’ll see Gary Gygax cribbing stuff for AD&D everywhere). Howard writes in such depth of this setting that you can almost feel and smell the corruption. Conan finds himself in a tavern surrounded my master thieves speaking of the impossible get… The Elephant’s Heart, a jewel of unimaginable value. Conan brazenly states that he will steal the Heart from the evil priest Yara. The thieves mock Conan with such intensity that a brawl ensues. It only steadies Conan’s resolve. He sets out to the Tower of the Elephant.

I won’t share much more about the tale, except to say there is nothing epic about this. It is one man’s pride leading him into the mouth of the lion… and elephant. There is also a Save vs. Poison or die encounter with a giant spider, which probably has as much to do with the birth of this trope as Shelob. The encounters in the Tower are freaky as hell.

Yes, part of the fun of reading these stories has been noting their influence on Misters Gygax and Arneson.

–TD

What I’m Working On

I sat down to write a post on Heinlein’s Rule #1, then I saw Harvey post about James Scott Bell’s blog post on the topic of Heinlein’s Rules. Bell takes the easy way out, and presents them as most everyone does… that somehow Rule #3 isn’t what Heinlein meant. That’s neither here nor there, I’ll save my post on Rule #1 for another day.

I’ve been working on another Fuzzy Koella novel. Unlike the others I’ve written, I don’t yet have a working title. Not sure if this is my subconscious telling me, “The title always changes, so why bother?” Haha. (Everything is Broken was originally titled Heaven Ain’t Bad and North Country Girl was originally title Girl from the North Country). When I sat down with the blank page on this one, I thought I was going to try my hand at a Western. Then I started with Fuzzy sitting in the clubhouse icing his arm during the last game of the season. And another Fuzzy novel was born.

Other stuff? I’ve completed the eBook cover for North Country Girl.

coverpractice8xxx

 

I’ll hand the book over to my first reader tomorrow. The paper cover pretty much requires getting through editing because I need an accurate page count.

I also need to write the book description / back cover copy.

I should get at least the eBook out by end of year.

We’ll visit Heinlein’s Rule #1 sometime in the future.

 

–TD

What I’m Reading – Robert Randisi

I have been a fan of Private Investigator fiction for decades. So, it’s perplexing to me that I only discovered the work of Robert Randisi over the last three years. Randisi is the founder of the Private Eye Writers of America, who grant the Shamus Awards every year for the best in P.I. fiction. Not sure, why it took me so long to discover his work, especially given how much of it there is.

Because “founder of the PWA” is hardly Randisi’s claim to fame. He’s also been called the “last of the true pulp writers.” Since the early 80’s Randisi has published over 600 novels.  Read that again…over 600 novels. Most of these are Westerns, over 400 in the Gunsmith series of Adult Westerns alone. My love for his P.I. books led me to try some of his Westerns, and in turn has re-opened this genre to me.

But back to the P.I. work.

I’m currently working my way through his Miles Jacoby series, about a retired boxer learning the ropes as a PI.  Jacoby is set in New York, like Randisi’s excellent Nick Delvecchio series. This has allowed Randisi to create a shared universe for his series, where characters from the Nick and Jack series and the Henry Po book all show up throughout the various books (don’t look now, but some of characters also show up in the Gunsmith – The Show Girl novel, at least by name).

Full Contact has Miles hired by a rich Detroit businessman to find a missing daughter. He’s also trying to clear the name of his friend, and recurring character, Knock Wood Lee, who is accused of the murder of a debtor. Parallel cases that may or may not converge is a common plot structure in P.I. novels. Randisi frequently adopts it, but he doesn’t adopt a pattern as to whether the cases will converge or not. Sometimes they do and sometimes they don’t. And I won’t spoil that for you here.

The first of the Jacoby series leaned on the boxing theme. The second, pulp magazine collections. This one, has Karate. And for that reason, it took me a while to get into it. But, as always, Randisi delivered, including a whodunnit solution that I didn’t see coming.

I’ve tried to think what it is that I find so satisfying about a Randisi read. And I’ve landed on the ease in storytelling. His prose is tight, and free of any extraneous material. Yet, it still seems free to meander. He also gets away with a lot less description than most authors can manage…again ease in storytelling.  James Lee Burke, he is not. One of the interesting things to me is that I can love both authors’ work, so much. Yet, they are so different.

There are over 600 books to choose from with Randisi. I wouldn’t recommend Full Contact, as the book to start with, but it’s damn good. (For the record, I’d start with the DelVecchio series).

–TD

What I’m Reading – Conan

I suspect a lot of men my age had some exposure to Conan stories in their youth, either through the books, comics, or movies (I had a crush on the blonde girl in Conan the Destroyer).

I remember reading some stories and watching the Arnie movies (and the blonde). I really enjoyed the movies (ahem, blonde), even though they look corny now. The stories?  I seem to remember thinking, eh, I’d rather read Tolkien.

That was sometime in the early 80’s, and the fantasy genre is so-filled with Tolkien-esque “epic” fantasy now, that it may as well just be called the Tolkien genre. I’ve pretty much given up on reading these brick door stoppers (with the occasional exception of Steve Erikson’s Malazan novels). But I am becoming more interested in the Sword & Sorcery predecessors to the Tolkien phenomenom.

If you’re interested in these roots, you must check out Robert E. Howard’s Conan. So, when I found the first couple of the Conan collections that were edited and supplemented by L. Sprague de Camp and Lin Carter at one of our friendly local used booksellers, I snatched them up and decided to re-acquaint myself with Howard’s mighty Cimmerian.

As I make my way through the stories, I’ll comment on them here. (And I won’t be exclusively reading Conan. So, if I share other reading thoughts, don’t fret. It doesn’t necessarily mean I’ve abandoned Conan).

The Thing in the Crypt

Volume One opens with the standard editor’s intro, plus some letters the Howard wrote to fans regarding Conan, and a Howard penned essay on the creation of Conan’s world and the Hyborian Age. Reading about world building bores me to tears.  So, I only skimmed over this essay and jumped straight to the first story.

Which…unfortunately wasn’t a Howard penned Conan story. The collection (all volumes, I understand) is sprinkled with pieces of Conan’s story told by de Camp/Carter to fill in gaps in the chronology.  Some stories are also unfinished Howard manuscripts that one of these editors picked up and completed. Why open the collection with one of the non-Howard stories, though?

Fortunately, I liked the story fine (and for future reference, I won’t write about something I don’t like. Life is too short.).

It tells the story of Conan, newly escaped from enslavement, chased by wolves into a cavern in the side of a hill. The cave is pitch black. So, Conan must figure a way to illuminate his quarters (the influence on Dungeons and Dragons is right there in the first story). Only to find out that he’s made his way into a giant Mummy’s crypt. Said Mummy has a bad-ass sword, which Conan must have. Except when he removes the sword, all hell break’s loose with the Mummy.

And that’s it. The whole story. About 15 pages. Yet, it was still fine.

The one thing the story lacks, in my opinion is an intelligent antagonist for Conan to interact with.  But hey… I still liked it.  Maybe there is something to be said for Hack & Slash?

As to my initial question as to Why start with a non-Howard story, my only guess is that de Camp / Carter felt the need to tell an origin story for Conan’s sword.

Next up is Tower of the Elephant, which is a Howard yarn.

–TD

Chapter One – Everything is Broken

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No this isn’t the twilight zone. I’ve learned from multiple readers that the posting of the first chapter of my next book (North Country Girl) confused them, and they thought it was the first chapter of my currently available book (Everything is Broken). (Note: If anyone needed more proof at my ineptitude at promoting my work, look no further.)

You can read even more of Everything is Broken in the preview/look inside features at the various retailers.

But to hopefully clear the picture, I present the first chapter of Everything is Broken.

Copyright © 2018 by Anthony DeCastro

All rights reserved.

Everything is Broken by Anthony DeCastro

Chapter One

Billy “Sample” Smith was a low-level dealer of weed and pills, who stayed out of trouble with the law by simply lacking any ambition. He spent his days playing video games at wherever he was shacking for free, and his nights selling dime bags to rich kids wandering around Ocean Boulevard in Myrtle Beach.

I didn’t like Billy, but I had when we were younger. Back when he had earned his nickname.  

It was a night in college, sophomore year, at one of the many strip clubs that flourished in the Strand. Billy escorted one of the girls to the Champagne Room. When she came back down twenty minutes later with a sodden Billy holding her hand like a little boy, she said, “Okay, I’ve had my free sample. Now I’m ready for the full dish. Who’s next?”

Billy stood about five-three and weighed maybe 120 pounds after a full meal. The stripper could have referred to his stature, but a bunch of college guys would never come to that conclusion. So Billy spent the rest of his college days fending off teases about the size of his manhood. College only lasted a few more months for Billy. But the name, “Sample”, stuck to this day.

Like I said, I didn’t like Sample, but in my business it helps to have a conduit to the seedy side of the Beach. And he’d done me a solid in that regard many times. So when he texted me saying he had work for me and asked me to meet him at the Second Avenue Fishing Pier, I didn’t stop to think whether I wanted to work for dirty money, or ask whether the work would involve me breaking any laws. I just agreed to meet him at 10 p.m. at the end of the Pier. Legality, prison time, or a knifing by rival dealers, I pondered on the ride over.

* * *

It was the Tuesday before Thanksgiving, and a light chill rode shotgun on the breeze coming off the Atlantic. I played the part of a beach bum put out by the cold, wearing a light nylon windbreaker, threadbare khakis, and white canvas boat shoes. I stopped at the pier’s bait shop and paid a dollar walker’s fee to a heavy-set, bald clerk. He looked annoyed that he had to lean forward to ring up my sale on the register.

“Ya know we close up at eleven, right? No excuses. Gotta be outta here by eleven.”

I didn’t point out that his breath smelled worse than the bait he was peddling, or how I doubted he would make the effort to walk down to the end of the pier and escort me out, if I rebelled and stuck around longer than eleven. I just nodded and stuffed the little orange ticket stub he handed me into the front pocket of my slacks.

Stepping out of the shop, I hunched my shoulders against the cold. Somehow, the smell of the salt, the fish guts, and seaweed was more potent on this side of the bait shop. Flickering, halogen lights hung from rickety posts illuminating a dim path down the pier.  The boards of the pier creaked and sagged under my steps as they always had. It was a wonder that the thing hadn’t collapsed. Especially during the summer months, when tourists lined the pier elbow to elbow, reeling in pinfish and toadfish and other useless game.  

Tonight it was mostly empty, there were only a handful of old salts down near the end. They slouched, elbows resting on the rails, rods in their hands. They dropped their lines beside the pier’s pilings hoping to lure sheepshead to the live shrimp or fiddler crabs or oysters, which baited their hooks.

I found Sample on hands and knees at the far end of the El shaped terminus, sawing the dorsal fin off an 18-inch, baby, black-tip shark. A light, spinning rod laid beside the shark, and I could see a circle hook set into the crook of the shark’s mouth. Its tail swiped back and forth, painting the boards of the pier with its own blood.

“What the hell are you doing, Sample?”

He jolted, bolt upright. “Jesus, Fuzzy. You almost gave me a heart attack.” He dropped the knife and stood wiping a bloody hand on the front of his jeans. He was naked to the waist, and his concave chest was as hairless as his bald pate. 

I shook his callused hand. It was sticky with fish blood.

“With a grip like that Fuzzy, you’d think you was a dairy farmer, not someone who throws a ball for a living.” He pointed to the impotent shark, flopping at his feet, its dorsal fin hanging by a flap of skin. “Best bait in the world there is for shark.”

“Huh?”

“No lie,” he said. “Wounded baby shark draws the big ones like flies to shit.”

“Isn’t there a size limit on what you can keep?”

“I’m using it for bait,” he said. “I ain’t keepin’ it.”

“I don’t think it matters, Samp. And, didn’t I see a sign prohibiting shark fishing from the pier?”

The crescent moon flashed upon his golden bridgework. “I ain’t always exactly been what you’d call legal.”

He had me there.

“Yeah, well, you asked me to come and I’m here. So, what’s up?”

“Let me get this baby baited up and wet again. Then we can talk,” He stepped down on the shark’s head, bent over and yanked the fin from the fish’s back. “There’s beer in that styrofoam cooler. Help yourself to one.”

Busch Light was stacked in neat rows in the iceless cooler. I grabbed a can, popped one open, and took a short pull of warm, cheap beer. 

Sample worked on the shark’s pectoral fins now.

“What’s the deal with chopping off the fins? Isn’t a lively bait, the better bait?”

“Sure, if you’re hunting smart fish. Sharks ain’t exactly smart, and they ain’t discerning about what they eat, either.” He mulled that over for a second. “Come to think of it they’s kinda like me in that way. Anyway, a shark is drawn to an easy meal. I don’t want this beauty dead when I toss it down there, but I want it hurtin’. Stick around. I’ll be here all night. I bet I pull in a big’un.”

Mr. Out-by-eleven would love that.

“Don’t be so quick to laugh, Fuzzy. Just last weekend I pulled in a seven foot hammerhead. Doin’ just like this.”

“I wasn’t laughing at you, Samp. A thought just crossed my mind. But do me a favor, get that thing on a line and back in the water, so I don’t have to watch it die, while you’re telling fish stories.”

I watched in admiration of his efficiency when he set about the task. The person passionate about his work or hobby, even a person like Billy Smith, is a person not prone to wasted effort or bullshit. The bait remained hooked to his spinning rod, as he hurried to a boat rod as thick as a broom’s handle, leaning in the crook formed by the corner of the pier. He slid free a 5” stainless steel J-hook from where it was fastened to a huge 9/0 bait-caster reel. Flipping the drag on the side of the reel, he pulled six feet of monofilament line free, giving him enough slack to hurry back to the shark. He slid on his knees, and skidded to a stop right before the shark’s snout, safely out of reach of its dangerous bite. He grabbed the shark behind its head, jamming his thumb and middle finger into gills on either side. Then he threaded the giant hook into one nostril and out the other. With the bait now hooked, he reached into his back pocket, produced a pair of needle-nosed pliers, and pulled loose the circle hook from the fish’s mouth.

He exhaled a blast of breath and peered up at me. “I never feel real good about this until I get him hooked up on the big daddy,” he said as he hoisted the shark up by the shank of the giant hook. The baby predator looked resigned to its fate. Sample tossed it overboard and let out the line for several seconds. When the sinker reached the bottom, he flipped the bail, cranked a few times, and put the rod back down in its original spot. He tied the pole down to the pier with yellow nylon rope.

“There, now we can talk.”

I waited, while he stood there with a dumb look on his face. “You texted me, Samp.”

“So I did, So I did. So how’s it going, Fuzz? How’s your mom?”

“She’s in jail. How do you think she feels?” 

I’d put her there.  

We both knew it.

The obligatory awkward silence descended. Even the waves seemed to stop slapping at the pilings. Mercifully, one of the old salts hacked away like a lifetime smoker.

“You still doing the PI gig?”

“You know I am,” I said.

“Still doing, domestic stuff? Ya know like catchin’ daddy puttin’ his thing where he shouldn’t?”

“You’re not married, Samp. Where are you going with this?”

He stepped closer so he could speak in a lower tone. “There’s a girl I want you to follow and take pictures of who she gets with.”

“Ok, Samp. Who’s the girl?”

“She’s just a girl,” he said. “She’s gettin’ herself in trouble.”

“Like I said, Samp. Who’s the girl?”

He had a look on his face I recognized. It was the same look I saw staring back at me from the mirror, after I’d awakened from one of my dreams. The bad ones. The ones, where I dreamed that my fiancé was still alive.

I said, “Are you in love?”

“No, No, No. Nothing like that. It’s just she’s a good kid. Smart kid. She’s got a good future, if she don’t go messin’ it up. Ya know how it is.”

I tried to formulate what a good future looked like to Billy Smith, but I came up empty. “How are pictures of her going to help that? Is she under age? Are you going to take the pictures to her parents? What’s the deal?”

“Nah, she ain’t under age. She’s pullin’ tricks.”

I said, “She’s a whore?”

“No it ain’t like she’s walkin’ Yaupon Drive. She’s just meetin’ guys at hotel bars and dressed all up in those rhinestone dresses.”

“She wears rhinestones?”

“Yeah, you know them sparkly things like the chicks wore to prom?”

“Sequins?”

“Yeah, sequins. The girls that dress like that at the hotel bars are pros, Fuzzy. She’s a good kid. I don’t want her goin’ pro.”  

“So say I take pictures of her doin’ the nasty. Say I even catch her transacting. What exactly do you think you’re gonna accomplish with my pictures?”

“She says she ain’t pullin’ tricks.”

“You asked her if she was a whore?”

“She ain’t no whore, Fuzzy. But yeah, I kinda asked her, you know? Why she had so many dates, and with older guys. I was cool about it though.”

He caught me with that one just as I swallowed a mouthful of beer, and I fought the urge to spit it back out. “And how did she react to your slick line of interrogation?”

“Oh, she got what I was askin’. I told ya, she’s a smart one. She giggled and patted me on the cheek and said, ‘Ah, Billy you ain’t got nothin’ to worry about I only got eyes for you.’ I said, ‘Honey, you need to be careful with what you doin’ there’s bad folks out there.’ She said, ‘I ain’t doin’ what you think I’m doing.’ And got some nasty look on her face. She kinda been avoidin’ me ever since.”

I said, “I still don’t see what pictures will do for you.”

“If I can confront her with the evidence that she’s lyin’, I think I can get her to listen. And if it’s all there in black & white, she’ll see what she’s doin’ ain’t smart. I know it.”

“I shoot in color and digitally.”

“Whatever,” he said. “Whaddaya say, Fuzzy? You gonna help a brother out?”

“What’s her name?”

“I knew I could count on ya. Her name is Marisol Rodriguez.”

“How do you know her?”

“I know her brother. He’s over at CAU on a full-ride. He plays that receiver, who also blocks on the line.”

“Tight end,” I said. “What’s his name and is he one of your customers?”

“Jandro Rodriguez. Short for Alejandro. In high school, he went by Alex, but got tired of all the A-Rod shit. So now he goes by Jandro. He buys from me from time to time, but don’t hold that against his sister, Fuzz. She ain’t ever bought from me. She’s just sorta around a lot. I think she likes to hang out at the college, meet his friends you know?”

Sample was an interesting character. He was quick to uphold this girl’s honor. A girl who he assumed was a prostitute. But he wanted to be sure I knew she says no to drugs. “How old is she?”

“I dunno. 18 or 19 maybe? She outta school.”

“Ok, and how long do you want me to peep on her?”

“I dunno maybe a week. We gotta get her with a john.”

“I get $100 a day, plus expenses.”

He whistled. “Damn, Fuzzy. That is harsh.”

“It’s my normal rate,” I lied. I didn’t tell him I was discounting him by half for the help he’d given me in the past.

“What kinda expenses you talkin’? You gonna charge me for gas or something?”

“You say she works the hotel bars. I’ll be spending time in them. I can’t sit in the bars at night, drinking nothing but ice water without drawing attention, or worse, being asked to leave. Don’t worry. I’ll keep my receipts.”

“Wow, I need to have your job. On top of the fee, you get your bar tab picked up.”

“Look this is probably a fool’s errand, anyway. You don’t have to hire me at all.”

He shoved my shoulder and left his hand there. “Take it easy, Fuzz. I’m just bustin’ your balls. But let’s make it four days.”

“Deal,” I said.

He patted my shoulder, and when he removed his hand, I saw the dark stain of fish blood on my jacket. “Say you don’t give a discount for cash. Do you?”

“Sorry Samp. I keep it on the level with Uncle Sam. Cash and check spend the same for me. But cash lets me start right away without waiting on the check to clear.”

He looked hurt. “Fuzzy, damn, how long we known each other?”

“I’m kidding, Samp.” The smell of the fish blood he’d left on my shoulder crawled down my insides and turned somersaults inside my stomach. He had some rags, but they all looked worse than the slime he had just left on me. “So where do I find this Marisol Rodriguez?”

“She’ll probably make her way to the Coral Beach some night this week. But, I can’t really say with Turkey Day comin’ up.”

“You know where she lives?”

“I don’t want you goin’ where she lives, Fuzzy. She lives at home, and I want no one catchin’ on to you.”

“Sample, you are hiring a private investigator to spy on someone for you. You’re paying me, because I don’t get caught doing it. It’s kind of my thing.”

“All the same, Fuzzy. I don’t think it’s a good idea.”

“Ok, but it might take me more than the four days just to luck out and stumble upon her at a bar. You got a picture of the Happy Hooker?”

“Don’t call her that. Nah, I ain’t got no picture of her. But just check her out on Facebook, Instagram, Twitter, she’s got lots a photos on there.”

I wondered if he was stalking her online, but I didn’t ask, because he pulled a wad of bills out from his pocket. “How much you need upfront?”

“No retainer, Samp. I know you’re good for it. But if you can front me a hundred for the expenses that would help. I’m running a little dry right now.”

He held out the bill, not letting go of it when I reached for it. “This girl is beautiful, Fuzzy. I mean like movie star looks. When you see her, don’t get no ideas.”

“Ideas?”

“Yeah, ideas. You got them weathered, jock, good looks, even with that gray hair. Like that Greek god or something. You know the one they always talk about.”

“Adonis?”

“Yeah, Adonis. Don’t go pulling no Adonis shit on the girl.”

I snatched the hundred from his hand. “I don’t think Adonis was ‘weathered’, but don’t worry, Free Sample, I won’t pull any Adonis shit.”

“Ah, don’t start with that Free Sample shit, Fuzzy. That ain’t right.”

“I’ll start tomorrow.” 

I left him there questioning his manhood.

_____________________________________________

Everything is Broken is widely available digitally and in print at these retailers: books2read.com/everythingisbroken

If you are in the Greenville, SC area Fiction Addiction carries it.

If you are in the Tampa Bay area Wilson’s Book World in St. Pete carries it.

My publisher Palmetto Pulp Mill sells Autographed Copies

Look for a Cover Reveal for the next book, North Country Girl in the coming days.

–TD

 

 

 

Film Noir Friday – The Killing

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I started watching When Strangers Marry this afternoon, which is one of Robert Mitchum’s first top billings, but I fell asleep. No fault of the film. Fault goes to the turkey, and the writing life. And I have a lot of writing I want to get done this weekend, plus my first signing event. So, I don’t think I’ll get around to watching the film that TCM’s Noir Alley is airing — The Killing.

The Killing is one of Stanley Kubrick’s first films. It sits in the Holy Trinity of Noir heist films along with Asphalt Jungle (also starring Sterling Hayden) and Riffifi. I admit to much preferring heist films like Criss Cross that focus tightly on a single, main character over the ensemble casts, as featured in The Killing. But that doesn’t mean this film doesn’t have a lot to offer. I’ll give you couple.

  1. The scenes. It’s fascinating to watch how Kubrick will frame a scene from one point of view character, and then frame the same scene from a different point of view. Same action. Different story.
  2. The Elisha Cook, Jr. – Marie Windsor relationship. If ever there was a noir couple, it is these two. Cook is the putz, and Windsor is a hungry black widow.

I haven’t watched this movie in a few years, but those two observations stay with me.

If you like your femme fatales evil as hell, you have to see Windsor in this.

–TD

 

Happy Thanksgiving

Thanksgiving is my favorite holiday. It’s somehow always seemed more about family then the others. I have fond memories of traveling home in my younger adult years and all of us being together. And I’ve had some good ones traveling north to my other, married-into home. Admittedly, in recent years, Thanksgiving has just been the three of us. Jill, Dylan, and I. This year will be no different.

But it still makes me happy to think of my brothers, their wives, and their children all together for the holiday.

Plus, on July 5th, we don’t start seeing Turkey propaganda in all the retail stores.

Plus, I like the central idea of “giving thanks.”

And, let’s face it. I like to eat.

One year, when Dylan was less than five, it was a just the three of us Thanksgiving. We were going around the table and stating what we were thankful for.  When we got to Dylan, he remained silent. His eyes shifted, looking for the right answer. Then he looked down to his plate. To the orange, Jell-o, his mother had made just for him, because he’s a picky eater. He smiled. His chubby cheeks pooled with color. “Jell-o. I’m thankful for Jell-o.”

It’s been a tough month. The sting of our family’s loss is still fresh, but the memory of that smile on Dylan’s face all those years ago, still makes me….

Thankful.

So, I’m thankful for the love of my family.

For my health.

For the unwavering support I’ve received from my parents over the years.

For being born in this country.  And all the freedom and prosperity that entails.

For friends, who even after not seeing me for decades, call/text to check on me because they know I am in pain.

For people I hardly even know, who have reached out too, because they loved my brother.

And for all of you reading this, whether I know you or not. I am thankful for you.

And yes, I’m thankful for orange Jell-o.

What I’m Reading – Gil Brewer

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Okay, so the title should read What I Read, but What I’m Reading sounds better.

I read Gil Brewer’s The Vengeful Virgin years ago when re-issued by Hard Case Crime. I remember enjoying it, but I’m going to re-read it because I have no recollection of the story. This is common with me. Stories I read. Stories I write. When I complete them, they disappear.

As I’ve become interested in the source material for Film Noir, the name Gil Brewer came up from time to time as an excellent practitioner of the genre. I’m not sure if any of his books were ever adapted for film during the Cycle (1940-1959), and I’m too lazy to research it. But it pricked my interest.  So when Stark House Press offered an overstocked copy of a Gil Brewer double-shot of A Devil for O‘Shaughnessy and The Three-Way Split for three bucks, I revisited Brewer.

Most interesting from that encounter was learning Gil Brewer had lived most of his adult life, his writing life, in my native hometown of St. Petersburg, Florida. The introduction painted a grim portrait of Brewer’s life (again I’m too lazy to go see who wrote that introduction) that possibly explained the dark depictions of the human soul found in his work.  I read Devil, which was an unpublished manuscript being released for the first time. Unfortunately, it was written during the depths of Brewer’s downward spiral of heavy drinking and self-doubt. It is a fair novel, with some bright spots. I haven’t gotten around to reading Three Way yet.

Later this year, Stark House released another Brewer double shot The Red Scarf / A Killer on the Loose, with an excellent introduction by Paul Bishop.  I gave Brewer another shot, and I’m glad I did.

The Red Scarf reads very much like Devil because Brewer’s authorial voice is distinctive. His prose is concise. His first person POV in-looking. But where Devil sagged in storytelling and plot (plus there’s too much woo-woo for my liking), Scarf masterfully works the noir pallette.  It tells the story of Roy Nichols, a down on his luck motel owner hitchhiking home to St. Pete from Chicago. He becomes ensnared in the sticky web of Vivian Rise and her boyfriend Noel, who are transporting a briefcase full of mob money. Yep, it’s the story of a doomed protagonist (he has a beautiful innocent housewife back home), a femme fatale, and a satchel of money. We’ve all seen this before, but the reason we have is that it makes for a compelling story. And Brewer delivers. This thing reads like the best of B-Movie film noir. That’s a compliment.

I said Brewer had a distinctive voice, and he does. At least on the two books I’ve read recently, the writing is undeniably his. Now I don’t find his voice as compelling as a Chandler or Robert Parker or James Lee Burke, but it is there, and that is more than can be said of many contemporary writers, who have polished away any defining features of their prose. For that reason, Brewer’s voice is a welcome reprieve. The book also is a complete, satisfying novel coming in at maybe 50,000 words. There’s a lesson here (even for yours truly) on the power of brevity and simplicity.

I recommend The Red Scarf and look forward to reading more Brewer.

–TD