Of all the elements of writing (fiction), the one which I hold highest is Voice. Maybe your characters are two dimension cut-outs or your plot is like a train rolling down the tracks or maybe your setting is paint by numbers… if the voice is compelling you’ve got me.
It shows up in the characters…it shows up in the author. And there isn’t much anything you can do to build it in my opinion. Which comes across as “either you got it or you don’t.”
I’m not sure that’s the case. I’m sure some authors’ voices appeal more to my taste. Some, dear reader, appeal more to your taste. But I think more than anything else in writing, your voice is like fingerprints… we all have a voice. The trick is to use it. Believe in it. And protect the hell out of it. And if your voice doesn’t appeal to every reader. Amen.
When I write a thousand words in an hour without any thought of where it’s going just listening to the characters and tapping away at the keys, and then cycle back and see there’s only some typos to touch up, maybe a little extra depth, etc, but damn this is pretty good! That isn’t a random act of fate (okay, maybe it is)… it isn’t a mistake. It isn’t the 9-iron you blade thin from 140 yards out that rolls up and tucks in next to flagstick. It’s the power of Voice, without the shackles of critical writing…free of re-writing and style manuals. It is the artist. It is me.
If I leave well enough alone…
April Writing Stats
April 1 — 1,038 words