Critical Reading

This is a continuation, of sorts, of the infamous Critique post and the less controversial Reading for Pleasure post.  I guess the flip-side of seeking Critique is participating in Critique as a reader.

I take that back. It’s not really a flip-side.  My position is the same.

The problem is the same. And in the Reading for Pleasure post, I pretty much laid it out. I’ve spent years tackling a reading critically problem.  It surfaced when I started “learning” to write, and going to peer critiques. Here’s the thing… critiquing is mind numbingly easy.  When you start from a position of trying find what’s wrong…you will.  Give me a week with Shakespeare, Gatsby, Hemingway… I’ll find something to criticize. But, good Lord, why would I want to do that?

The Lonesome Dove post showed that I haven’t completely conquered this demon, though I wasn’t overly critical… and I am REALLY enjoying this book.

So the selfish answer is I don’t want to critique because it is no fun. I read to be entertained.  The other collateral damage I’m trying to avoid is that reading critically means less time in my creative mind… not to mention, giving criticality that kind of power over my reading gives it an “in” when I sit down to write.

What does this means for fellow writers?  Do I not want to read your stories, poems, essays?

I do.  I want to read and enjoy them. I would be honored.  If your stuff is on the market, I’ll most likely purchase it (or borrow from library) and read it. If I don’t purchase it, and you share your work with me, I will be grateful and thank you for the opportunity to enjoy your work.

Unfortunately, if you come to me and ask me to share “what’s wrong with it?”  I won’t be able to help.  That’s critical reading, and I won’t purposefully take on that task for the selfish reasons I mention above.  I will, however, share one of my core beliefs:

The greatest quality an artist can have is belief in oneself.

–TD

 

Schemes

Kristine Kathryn Rush posted this in regards to the latest publishing scandal:

https://kriswrites.com/2019/02/20/business-musings-ghostwriting-plagiarism-and-the-latest-scandal/

Sad stuff.

I wonder if this individual started out with the typical artist’s dream of doing her work and finding an audience, and got sucked into the “beating the system” mentality when things didn’t take off like she had hoped.

Or did she just start out seeing an opportunity to make a quick buck, and wanted to strike while the iron was hot?  I guess the way people get sucked into Ponzi schemes.

Obviously, the first one is more depressing to me.  I’ve noticed this trend of engaging others to write your series books among indies…to push the building of the back list and staying constantly in the churn of Amazon algorithms.  The ghostwriting thing isn’t indie-exclusive, of course… but, ah, what do I know…

I guess I know my perspective. Writing is fun. It’s why I do this… publishing is intermittently fun and not fun…but never as fun as telling stories.  For that reason, I could never see me hiring ghostwriters to churn out work with my name on it to chase a dollar. (I could actually see me ghostwriting much easier than hiring the ghostwriter…though, that doesn’t really appeal to me, either.)  This is one of those cases where I just find it hard to put myself in another’s shoes.

And I haven’t really even touched on the plagiarism.  It’s interesting that this person appears to feel she is not at fault, because it was hired out to ghostwriters and it wasn’t her who actually did the cutting and pasting.  I assume her name is on the copyright, which means she probably has a rude awakening coming.  Yet, she doesn’t seem to acknowledge that there is something a little skeezy in what she was doing to begin with.

Again, I know traditional publishing has implemented ghost writers for ages.  Somehow this seems different…or maybe not.  Because what do I know?

Other than what I will do and won’t do.

— TD

 

Ideas

bulb close up electricity energy

Readers ask, “Where do you get your ideas?”

Writers bemoan, “I have so many ideas.”  Or, “I’m writing my current story, but I’ve got this great idea for the next one and all I want to do is write it.”

I have learned to shut down the idea factory.

Writers are advised, “Carry a notebook. You never know when you will get an idea, and you don’t want to forget it.”

I don’t write them down for a couple of reasons:

  1. I’ve shut down the idea factory, and only open it when I sit down to write.
  2. If the idea is really worth anything, it would be worth remembering.

Ideas are everywhere. I have zero fear that I will lack for ideas. I do however fear that the sheer number of them will become debilitating. Or the shiny, fresh idea will distract me from the current work.

Keeping Heinlein’s Rule #2 in the front of my mind helps with this.  If I am adamant about finishing what I start, then my creative mind will shove those fresh ideas to the corner closet, and focus on keeping the current work shiny and fresh.

You Must Finish What You Start.

A simple tool to keep ideas from overwhelming the process.

Back to the reader’s question, “Where do you get your ideas?”

The answer is simple. I get them from the process. Writing regularly does that. I know if I sit down and write… If I sit down with a character in a setting… if I ground myself (and by extension the reader) in the setting with that character… I will never want for ideas. Story will happen.

As an example, have you ever had a dream that was so realistic that it felt you were living it, despite the fact that the people you encounter are people you have never met in real life, and despite the fact that the locales are places you have never been to?  Of course, you have. This is the reason a lot of writers keep a notebook and pen on the bedside table to write down their dreams when they awake. ( I don’t do that either. ) Do you ever wonder where those ideas come from?

Probably.

Have you ever found an answer?

Probably not.

I think the answer is simple. You put yourself in a position to create those dreams. Namely, you go to sleep… and all of those critical voices that would suppress the creativity in your waking hours are asleep, too.  And your creativity awakes like a toddler put down at the playground. And there you have it, a great dream. A great story.

And that is how it works, if I just sit down regularly to write. If I don’t worry about if it’s any good… If I don’t worry about having a working “idea”.  Just sit down, and follow my characters around. They’ll get in trouble…they’ll do unbelievable things… they’ll probably do things a lot more interesting than real life. It is not my job to pass judgement on those things or criticize or tell them about some really cool idea I have about what they should be doing.  My job is to record them, as if I were recording one of those dreams I mentioned above…like the writer who keeps the pad on the bedside table. Except, I’m doing it real time. I’m recording the dream at my keyboard as it is happening.

–TD


 

Both of my books are widely available, and I would love to have you as a reader.  Universal links:

Everything is Broken

and

North County Girl

Photo by LED Supermarket on Pexels.com

I have nothing…

but recommendations.

Harvey posted an old Dean Wesley Smith blog post with a great rewriting metaphor.

https://harveystanbrough.com/pro-writers/a-rewriting-metaphor/

I am currently reading my local writing friend’s novella “Sodom and Gomorrah on a Saturday Night”.  Check Christa out…she writes literary, genre-bending fiction that will make you think.  Don’t say I didn’t warn you!

https://christammiller.com

Phillip wrote 52 short stories in 52 weeks. And wrote about it and published the stories. 52 for 52. That’s batting 1.000!

https://phillipmccollum.com

I’ll save the customary pimpin’ of my own work.  Go check these scribblers out!

–TD

 

 

 

What this is all about

Once upon a time, I realized I enjoyed writing.  I’m not sure I can isolate when.  Was it when I joined the School Paper in Middle School?  Or was it when I secretly wrote stories in my notebooks while I was supposed to be listening in Chemistry class in High School?  Was it when I jotted snippets of stories in a notebook while on the road with my college baseball team.

It was probably earlier.  It was probably when I realized that I enjoyed reading.

About ten – fifteen years ago, I began writing in earnest.  I participated in National Novel Writing Month annually.  I even wrote to completion on a couple of novels.  I took a Creative Writing class at the local Community College.  I joined and participated in writing groups.  I read like a demon every book, website, magazine on what it took to be a writer.  I was impassioned.

A couple of problems led to me letting it all go.  Namely:

  • Over consumption of all the expert advice had me spinning my wheels. A lot of the advice contradicted itself, and I probably lacked the self-awareness to identify which, if any, of these rules could apply to me. Some of the advice, made writing not fun.  Looking back, it seems that should have been the telling thing for me.  Any advice that took the joy out of something I enjoyed doing, should have been ignored.
  • Sharing my work.   Ultimately, we tell stories to be heard/read.  I never got in the habit of sending my work off for fear of rejection.  This is something I still must conquer.  A lot has changed in the 7-8 years since I was writing earnestly.  I suspect I will be going directly to readers with novels.  Shorts, I probably will be collecting rejection slips.  When it’s all said and done, I still have to face the fear.

I want to write, though.  And I want to have fun doing it.  I want to write the stories that I enjoy reading.  I want to get better, too.  And to do that I will need to practice a lot.  So Pulp, it is.

The Pulp writers wrote tons of words in stories for the Everyman.  For readers like me.  Now, I make no guarantees that everything I write will fit neatly in one of the Pulp Genres (Detective, Adventure, Sci-Fi, Western, Weird/Horror), but I hope to write in the spirit of the Pulpsters.

So what’s this all about?  I’m going to share how things are going here.  I’ll share what I’m working on and how it is progressing.  Beyond that, anything goes.  Maybe, I’ll share my thoughts on stuff I read or watch.  I’ll try to keep it on topic, though.  The topic is Story (and writing).

What am I working on now?

Glad you asked.

Pulp Detective Novel with the working title of “Happy Hour” – 7,700 words currently

Short Story titled “Welcome to the Jungle” – approx. 300 words currently.

What about goals?

Daily = 1,500 new, clean words per day

By midnight Halloween => 71,000 new, clean words (to include completion of Happy Hour and a total of 6 short stories)

I hope you will cheer me on.

Tony